Brasov Tablature

xv + 88 pp.

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Édition:
№ d’article:
1691223
Éditions / Producteur:
№ de fabricant:
B040
ISBN:
9780895791627

Description

The Brasov Tablature contains extensive keyboard fingering, rare in late seventeenth-century music, and presents one of the earliest sets of preludes in successive keys. The tablature contains a collection of pieces representative of the period's German keyboard genre, including preludes, fugues, toccatas, chorale preludes, a fantasia, and a capriccio.

Contenu

  1. Praeambulum in C Minor, Johann Heinrich Kittel
  2. Praeludium in C Major, Johann Heinrich Kittel
  3. Praeambulum in D Minor, Johann Heinrich Kittel
  4. Praeludium in D Major, Johann Heinrich Kittel
  5. Praeambulum in E, Johann Heinrich Kittel
  6. Praeludium in F, Johann Heinrich Kittel
  7. Praeambulum in G Minor, Johann Heinrich Kittel
  8. Praeludium in G Major, Johann Heinrich Kittel
  9. Praeambulum in A Minor, Johann Heinrich Kittel
  10. Praeludium in A Major, Johann Heinrich Kittel
  11. Praeambulum in B-flat, Johann Heinrich Kittel
  12. Praeludium in B, Johann Heinrich Kittel
  13. Capriccio on Brevem Bassum, Johann Heinrich Kittel
  14. Concordantiae in C
  15. Praeambulum on "Ich ruff zu Dir, Herr Jesu Christ"
  16. Praeambulum in C
  17. Praeambulum in D
  18. Praeambulum in A
  19. Praeambulum in A
  20. Praeludium in A
  21. Praeludium in G
  22. Praeludium in G
  23. Praeludium in F
  24. Praeludium of the sixth tone in F
  25. Praeludium of the fourth tone in E
  26. Praeambulum of the seventh and eighth tones in G Major
  27. Praeludium of the first and second tones in G "February Second"
  28. Praeambulum of the eleventh and twelfth tones in D Major
  29. Praeambulum of the seventh and eighth tones transposed to A Major
  30. Praeambulum of the ninth and tenth tones in A
  31. Praeludium of the eleventh and twelfth tones in F
  32. Praeambulum of the eleventh and twelfth tones in C
  33. Praeludium of the fifth and sixth tones in B-flat
  34. Fuga in G on "Ach wie sehnlich"
  35. Fuga in A on "Was mein Gott will"
  36. Fuga or Variation in F on "Wo Gott zum Haus nicht graben"
  37. Fuga in D
  38. Fuga in D
  39. Fuga in C on "Allein zu Dir, Herr Jesu Christ," Johann Ulich
  40. Fuga in E on "Erbarm dich mein o Herre Gott," Johann Ulich
  41. Fuga in C
  42. Fuga in G
  43. Fuga in F
  44. Fuga in A
  45. Fuga in G
  46. Fuga in G
  47. Fuga of the second tone in G
  48. Fuga, Sign[or Johann Jakob] Froberger
  49. Fuga in A, B[ernhard] Meyer
  50. Fuga in A
  51. Praeludium in G
  52. Praeludium in G Minor
  53. Praeludium in E
  54. Praeludium in G Minor
  55. Praeludium in E
  56. Praeludium in E
  57. Fuga of the ninth and tenth tones in D
  58. Fuga in D
  59. Fuga of the third and fourth tones in A Major
  60. Fuga in G
  61. Fuga in D
  62. Fuga of the seventh and eighth tones in C
  63. Fuga in D
  64. Fuga in A Minor
  65. Fuga of the second tone in D Major
  66. Fuga in G for February 1
  67. Fuga in D
  68. Fuga in G
  69. Toccata in D
  70. Toccata in G
  71. Toccata in C: "the fifth of February"
  72. Toccata in E
  73. Toccata of the second tone in G
  74. Toccata of the third tone: "Durch Mordantam," B[ernhard] Meyer
  75. Fuga Simplex of the third Mode, B[ernhard] Meyer
  76. Fantasia in G
  77. Principium of the eighth tone in G Major
  78. Magnificat: Intonation of the fourth tone in E
  79. Magnificat: Verse 1 of the eighth tone in G
  80. Magnificat: Verse 2 in G, Chorale in discant with two keyboards
  81. Magnificat: Verse 3 in G
  82. Magnificat: Verse 5 in G, Chorale in Bass
  83. Magnificat: Verse 6, Tutti
  84. Fuga in E, Dan[iel] Cron[er]
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