In recent years, composer and theatermaker Heiner Goebbels has regularly collected recordings of voices during his travels, chance encounters, projects, and research. Unique, peculiar voices that have touched, disturbed, excited, alienated him. These are voices from very different contexts, soundscapes, musical traditions, and languages, folk material, rituals, literature, recorded in the course of the last hundred years or so. This phonographic collection in an imaginary notebook has now ...