Gasparini: Cantatas with Violins, Part 1

xxv + 153 pp.

Placeholder image
Édition:
№ d’article:
1691386
Éditions / Producteur:
№ de fabricant:
B162
ISBN:
9780895796790

Description

Francesco Gasparini (1661–1727) was an unquestionably important musical figure of his time: he was a leading composer and theorist—active in Venice and Rome—and an esteemed teacher, and his continuo treatise, L’armonico pratico al cimbalo (Venice, 1708), was reprinted throughout the eighteenth and nineteenth centuries. The present edition includes all of Gasparini’s extant cantatas with violins and basso continuo. These works divide into two groups: the first comprises four cantatas dating from his first stay in Rome (in the 1680s), when he was a member of the congregazione of S. Cecilia and enrolled in Cardinal Benedetto Pamphili’s orchestra; the second is a united set of sixteen cantatas composed in Rome in 1716–18 for Prince Ruspoli. Together they provide an interesting means of comparing Gasparini’s early and late compositional styles and techniques, and they fill in a tessera in the complex mosaic of the Italian Baroque cantata during the early eighteenth century, a crucial period in the development of cantata aesthetics and musical style.

Contenu

Quanto sei penosa

  1. [Aria]: “Quanto sei penosa” 
  2. [Arioso]: “S’io domando a quest’alma” 
  3. Aria: “Voi del Tebro onde correnti” 
  4. [Arioso]: “Sol perché tra vol splende” 
  5. Aria: “Vola vola, o mio pensiero” 
  6. [Aria]: “Ma tu non giungi” 

Bellezza che sei

  1. [Aria]: “Bellezza che sei” 
  2. [Arioso]: “Guance di fresche rose” 

La beltà ch’io sospiro

  1. [Arioso]: “La beltà ch’io sospiro” 
  2. Aria: “Sfido in campo la bellezza” 
  3. [Arioso]: “Così diceva un dì” 
  4. Aria: “Pupille che armate” 
  5. [Arioso]: “O che questo mio cor”

Fileno, idolo amato

  1. [Arioso]: “Fileno, idolo amato” 
  2. [Aria]: “Se rifletto all’ardente baleno” 
  3. [Arioso]: “Ah, che ben prova” 
  4. [Aria]: “Non temo degli astir” 

L’Angelica (Tende franche)

  1. [Aria]: “Tende franche” 
  2. Recitativo: “Angelica infelice” 
  3. Aria: “Qual barbara mano” 
  4. Recitativo: “Io che nell’India appresi” 
  5. [Aria]: “Qui legò con varii nodi” 

Cari boschi amiche selve

  1. Aria: “Cari boschi amiche selve” 
  2. Recitativo: “Pastorella felice” 
  3. [Aria]: “Se canta l’usignolo”

Fier destin, crudo amor

  1. [Sinfonia]
  2. Recitativo: “Fier destin, crudo amor” 
  3. [Aria]: “Perché mai”
  4. Recitativo: “Dura legge fatale” 
  5. Aria: “Per amar beltà terrena” 

Scrive a chi la tradì

  1. Sinfonia 
  2. Aria—Recitativo—[Aria]: “Scrive a chi la tradì” 
  3. Aria: “Nunzio del mio contento” 
  4. Recitativo: “Filli già tua” 
  5. Aria: “Basti per mio contento” 

Sente pur che maggio è nato

  1. Aria: “Sente pur che maggio è nato” 
  2. Recitativo: “Tu solo, allor che tutto” 
  3. [Aria]: “E puoi soffrirlo”

Tu sei pur fortunate

  1. [Sinfonia] 
  2. Aria—[Recitativo—Aria]: “Tu sei pur fortunate”
  3. Aria—[Recitativo]: “Perch’hai teco il tuo diletto” 
  4. [Aria]: “Privo di cor non so” 

Tutto festoso Amore

  1. [Sinfonia] 
  2. Recitativo: “Tutto festoso Amore” 
  3. Aria: “Clori, che sul bel volto” 
  4. Recitativo: “Mentre così dicea” 
  5. Aria: “Troppo, ah troppo del tuo strale”
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