Bruckner Studies

Cambridge Composer Studies

Édition:
Livre (édition brochée)
№ d’article:
980437
Éditeur:
Langue:
anglais
Dimensions :
320 pages; 17,1 × 24 cm
Date de parution:
2007
Éditions / Producteur:
№ de fabricant:
9780521046060
ISBN:
9780521046060

Description

Bruckner Studies, first published in 1997, presents musicological and theoretical research on the life and music of Anton Bruckner. It is one of the most important English-language books on the composer since Robert Simpson's The Essence of Bruckner.

The essays provide fresh biographical insights into his enigmatic personality, working procedures, and circle of students and friends; consider the fascinating history of the dissemination of his music during his lifetime and in this century, including its reception in Nazi Germany; and provide analytical perspectives on his musical style and its origins.

The volume challenges the reader to reassess the man and his music in a fresh light, unencumbered by decades of special interest and propaganda which have coloured perceptions of Bruckner for more than a century.

  • Contains a reassessment of Anton Bruckner and his music
  • Examines the dissemination of Bruckner's music during the third Reich
  • Contains historical and theoretical/analytical studies

Contenu

  •  List of plates
  •  Preface
  •  List of abbreviations
  •  Part I. Historical Studies:
  •  1. An anatomy of change: Anton Bruckner's revisions to the Mass in F Minor Paul Hawkshaw
  •  2. A hidden personality: access to an 'inner biography' of Anton Bruckner Elisabeth Maier
  •  3. Bruckner and Viennese Wagnerism Margaret Notley
  •  4. The annexation of Anton Bruckner: Nazi revisionism and the politics of appropriation Bryan Gilliam
  •  5. 'Return to the pure sources': the ideology and text-critical legacy of the first Bruckner Gesamtausgabe Benjamin Marcus Korstvedt
  •  6. Bruckner and the Bayreuthians or, Das Geheimnis der Form bei Anton Bruckner Stephen McClatchie
  •  7. Josef Schalk and the theory of harmony at the end of the nineteenth century Robert W. Wason
  •  Part II. Analytical Studies:
  •  8. The finale of Bruckner's Seventh Symphony and tragic reversed sonata form Timothy L. Jackson
  •  9. Some aspects of prolongation procedures in the Ninth Symphony (Scherzo and Adagio) Edward Laufer
  •  10. Bruckner's sonata deformations Warren Darcy
  •  11. Phrase rhythm in Bruckner's early orchestral Scherzi Joseph C. Kraus
  •  Index
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