‘You were often on my mind when I was writing’, wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann’s illness, however, Joachim began to have his doubts about the value of the work. In his will, Joachim prohibited the first performance until the 100th anniversary of Schumann’s death in 1956. After detailed editorial work, the premiere was brought forward to 1937. The theme of the middle movement probably formed the basis of Schumann’s Geister...