for Clarinet and Piano. Moderato con moto: Tempo di marcia, Cadenza, Pastorale. This piece has its origins in a half-finished Suite for clarinet and piano which I began and abandoned in 1966. Much later, in 1982, my dear friend Linda Keller asked me if I had written a clarinet piece that she could perform in recital. I resuscitated the dusty manuscript and promised I would try to pick up the strands where I left off and attempt to finish it this, despite the rather drastic change which my musical language had undergone during the intervening sixteen years. I believe I succeeded in returning to an earlier style and completing this piece as a fairly cohesive whole: at least I don'tbelieve the seams are too obvious. I should also point out that the piece is unabashedly modeled after the Sonata for Bassoon and piano by Paul Hindemith: the overall form of the first movement uses the opening movement of the Hindemith Sonata as a fairly slavish template. Similarly, I also patterned the last movement after Hindemith by casting it in the form of a March and Pastoral. If imitation is the sincerest form of flattery, then my admiration for Hindemith's music is manifest in this Sonatina.
Il existe un site internet Stretta spécifique pour le pays Mondial. Si votre commande doit être livrée dans ce pays, vous pouvez y basculer pour que les délais de livraison et les conditions d’expédition soient correctement affichés. Votre panier et votre compte client sont conservés lors du changement.
passer à Stretta Music Mondial rester sur Stretta Music Luxembourg