Hans Winterberg's Streichtrio from 1960 is one of the composer's most substantial chamber music works. On the one hand, he achieves a fascinating symbiosis of the most important tendencies of German-Austrian and Czech modernism in the first half of the 20th century; on the other, he takes a decisive step towards a tonal language in which the focus is no longer on harmonic-melodic complexity, but on the sensation of different tempo experiences occurring simultaneously. This path, which originated...