Contenu
- Vorwort
- Preface
- Suite I BWV 1007
- Suite II BWV 1008
- Suite II BWV 1009
- Suite IV BWV 1010
- Suite V BWV 1011
- Suite VI BWV 1012
- Anhang:
- Suite V BWV 1011
Edition with articulation markings
Bärenreiter Urtext
The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.
Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in manyd etails, the articulation and phrasing being particularly ambiguous.
At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.
This new edition, based on volume 4 of the New Bach Edition – Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.
The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources.
"This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer."
Quellenkritische Ausgabe für die Praxis
Bärenreiter Urtext
pour: Violoncelle
Partition (texte original)
№ d’article: 296543
Bärenreiter Urtext
pour: Violoncelle
Partition (texte original)
№ d’article: 114668
für Violoncello solo
Bärenreiter Urtext
pour: Violoncelle
Partition (texte original)
№ d’article: 683209
Urtext of the New Bach Edition – Revised (NBArev)
Bärenreiter Urtext
pour: Violoncelle
2 partitions (texte original, fac-similé)
№ d’article: 769021
Synoptic Facsimile Volume
pour: Violoncelle
Partition (fac-similé)
№ d’article: 770918
14 well-known melodies for Cello solo
Hal Leonard Instrumental Play-Along
pour: Violoncelle
Partition, playback en ligne
№ d’article: 673637
für Violoncello, Streichorchester und zwei Hörner
Ausgabe für Violoncello und Klavier
pour: Violoncelle, piano
Partition musicale piano, partition seule
№ d’article: 674626
(No. 1-57)
Essential Exercises
pour: 1–2 violoncelles
Partition d'ensemble
№ d’article: 667808
per violoncello
pour: Violoncelle
Partition
№ d’article: 665233
für Violoncello und Klavier
pour: Violoncelle, piano
Partition musicale piano, partition seule
№ d’article: 669633
Edition Peters Green Series
pour: Violoncelle, piano
Partition musicale piano, partition seule
№ d’article: 674865
für Viola und Violoncello
pour: Violon alto, violoncelle
Partition d'ensemble
№ d’article: 661454
für Cello und Klavier
pour: Violoncelle, piano
Partition musicale piano, partition seule
№ d’article: 673269
für Cello und Klavier
pour: Violoncelle, piano
Partition musicale piano, partition seule
№ d’article: 673613
pour violoncelle seul
pour: Violoncelle
Partition
№ d’article: 674312
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